Lagos-set musical drama Which Way has secured a place in the 2026 Africa International Film Festival programme. The festival’s official listing identifies Jide Okeke as director and classifies the 113-minute English-language feature as a Nigerian–United Kingdom production. Its story centres on a mechanic and his family.
Punch reported on 31 October that the film’s African premiere is planned for Tuesday, 3 November, at 8pm at Filmhouse Cinemas, Landmark, Victoria Island, Lagos. TheCable’s 30 October report gives the same time and venue. These reports describe an upcoming screening, not an event that has already taken place.
The festival’s film page independently confirms the selection but says screening dates and venues will be published with the schedule. Anyone intending to attend should therefore check the latest official programme and ticket information before travelling. AFRIFF lists its 2026 Lagos festival dates as 1–7 November.
The official synopsis presents a family confronting the consequences of a mechanic’s painful past, with music expressing feelings that remain unspoken. It is a fictional drama. The synopsis does not establish that the characters’ experiences are accounts of identifiable real people, and this preview makes no such claim.
Festival credits name Jumafor Ajogwu and Ayo Alade as producers. The listed cast includes Floyd Igbo, Chidinma Nebo, Onome Akpotebu, Chimezie Imo, Ijeoma Grace Agu, Yemi Blaq and Stan Nze. Those credits establish the people attached to the project; they do not tell audiences how the finished performances will be received.
According to the production account reported by Punch, actors sang live during filming, combining their dramatic roles with vocal performance. Okeke described casting for both abilities. This is an attributed explanation of the production method, rather than an independent assessment of the soundtrack or a claim that every cinema screening will include live singers.
Punch also reports that cast members are expected to take questions after the screening. That planned conversation could give audiences a chance to ask how the music and family story were developed. Attendance and the final screening arrangements remain matters for the organisers to confirm.